I don’t paint what is seen.

I paint what is sensed.

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For me, art is not an image to be consumed. It is an invitation; to pause, to reflect, and to see differently. My practice is rooted in abstraction and conceptual thought, where each canvas becomes a space for dialogue between the visible and the invisible.

Trinity

The cosmic connection

Hunting to Harmony

How music reawakens cultural memory.

Frets of Tradition

The Kinnera frets from bees wax

Mrini creates at the intersection of concept and abstraction, driven by curiosity about perception and meaning. Her work invites viewers to engage with art as a proposition rather than an object, exploring transience, memory, and the unseen forces that shape experience. Through deconstruction and re-formation, she offers new perspectives on the familiar and the forgotten.